If you have been following my blog for any length of time you have noticed that is a mixture of very academic discussions and editorialized ramblings about nonverbal communication. Today I want to vent some frustration that came from my body language read of Alec Baldwin on The View today. (If you missed it, watch it here). I am frustrated for many reasons. First, I realize I feel bad that I am reading into the heart of a man that feels his life has been devastated by the media. And I wonder if I am further exploiting a man who feels exploited. I am frustrated because he chose to be on the show today and then he took a perfect opportunity to take the high moral ground and apologize to his daughter and create positive attention to his cause of fighting parental alienation and blew it.
He said he learned three things with this experience, but the first “thing†was an attack on his ex, Kim Basinger, the second thing was a rant about the adult children of childhood abuse who berated him on his website, and the third point was merely a weird attack on the tabloid media. He didn’t seem to have any personal redemptive epiphanies. Perhaps he needs time and some sleep.
So let’s talk about his body language: Alec is typically an energetic, a dapper dresser and funny guest on talk shows. His gestures are large and swing out and away from his body, he leans forward aggressively to make a point, and speaks with a loud confident voice.
Today though, his shoulders where slouched his head was often down; he often was looking down, his arms where held in close and protective. His hands also were clasped together protectively in front of him. All these cues created a body language gesture cluster of defeat and exhaustion.
Throughout the interview he gave many self touch tactile signs. He touched his jacket, pulled the jacket edges together, picked invisible lint from his pants, touched the side of his face and clasped his hands together. These are called tactile signs. Tactile signs are physical contact with one’s own clothing or body parts especially the hands and face. Those self- touch cues showed that his sympathetic nervous system was in the fight-or-flight response. We unconsciously touch our bodies when emotions run high to comfort ourselves (Goodall 1986:125), relieve, or release. Physical contact with a body part stimulates tactile nerve endings and refocuses our orienting attention inward, away from stressful events “out there.â€
In the interview. he was seated on the coach between Barbara Walters and Rosie O’donnell. During Barbara’s intro he sat with his hands protectively folded in his lap. In the silent pause after he and his story were introduced, he looked down and reached over to pat Rosie’s thigh to gain comfort and strength from his long time friend. She immediately gave him comfort by patting his back and gently leaving her hand there to show her support. Before he started speaking he looked down, pulled his pants leg up, picked invisible lint from the other pant leg and pulled the edges of his jacket together, all showing his high degree of stress and need to gain comfort. His choice of adjusting clothing also showed a concern or fear about his appearance. He was afraid he would not appear well.
I think many of us wondered if he was contrite about his behavior. Timing of cues is everything when interpreting. One very moving moment occurred when he talked about his anger concerning not being able to talk to his daughter for 10 days. He paused to collect him self and said with an emotional catch in his throat, “I took it out on the wrong person.†You could tell from downcast gaze, that went to his left (where we look when we accessing) , teary eyes, and a caught voice he felt horrible about what he had done. But I think we wanted him to say, “I am so sorry about what I said to my daughter.†After he said that statement he followed by saying I realize I was wrong …†as he briefly closed his eyes in a micro facial cue and closed his mouth for moment both signs he was trying to hold in his strong emotions and not cry.
After this Barbara commented that his anger was toward his ex not his daughter and as he said, “I think that goes with saying.†he scratched the side of his face showing anger and frustration.
A nonverbal cue that he was very angry at what the tabloid media had done was indicated when he said something to effect of, “Everybody who works for the tabloid media is filled with self hatred,” while he punched his hand in symbolic attack downward in the palm of his other hand.
When Barbara asked him if he had talked to Ireland ( his daughter) He touched the side of his face and let his hand linger there as her named was mentioned, his gentle feelings for her showing by the hand to head gesture he had thinking to do about how he wanted to deal with his daughter.
One of the oddest body language signals was the rubbing of the right side of his nose a when he finally said, “I apologize to my daughter.†That is typically a cue that what you’re saying does not smell right to you, or that you are lying.
I am a huge classic movie buff and one of the first actors to add humanizing self touch cues to his acting was Humphrey Bogart. Last week I watched one of my favorite movies The Big Sleep (1946). In that movie Humphrey Bogart fingered his right earlobe with his right hand several times while pondering deep thoughts. That’s also a cue someone may use when what they are saying or what they are hearing doesn’t sound right to them. See if you can observe self touch cues the next time you watch someone on TV being interviewed or an actor in a movie.